After writing ABC Biography of Frederick Schaffner (1828-1899) Family of Germany, New York and San Francisco, based on my genealogical research, I asked Anthropic Claude to tell the family story of the Schaffner's migrating from New York City to San Francisco by sea.
The first part of the story was posted in The Golden Shore -- A Schaffner Family Story: Parts 1 and 2. The second part is in The Golden Shore -- A Schaffner Family Story: Parts 3 and 4. Here is the third and last part of the story:
Aboard the SS Sonora, northward toward California
The Pacific Mail Steamship Company's SS Sonora was newer and larger than the Illinois, and their second-class berth — Frederick had spent the difference, recklessly, because it was either that or steerage for three more weeks and he was done with steerage — was a small room with two real bunks and a porthole of genuine, non-salt-filmed glass. Herman sat on the lower bunk and bounced on the mattress three times to test it.
"Better," he pronounced.
"Yes," Frederick said.
"Much better," Martha Matilda said, and sat down on the bunk beside Herman and closed her eyes for a moment, and Frederick understood that she was exhausted in the bone-deep way that she never admitted to and that he only saw in these unguarded moments. He sat beside her. Herman climbed between them and fell asleep almost immediately, with the easy unconsciousness of the very young, his head against her arm.
"We're nearly there," Frederick said.
"Ten more days," she said, eyes still closed. "Give or take."
"We've been traveling for three weeks. Ten more days is nothing."
"Nothing," she agreed, and smiled without opening her eyes. "Absolutely nothing at all."
He took her hand. Outside the porthole the Pacific was a deep, dark blue, nothing like the Caribbean — quieter, older somehow, vaster. The sun was getting lower.
"Thank you," Frederick said.
She opened one eye. "For what?"
"For coming."
"You didn't give me much choice."
"I gave you a choice."
She was quiet for a moment. "You gave me a choice between going with you and staying in New York without you. That's not much of a choice."
"No," he said. "It isn't. I'm sorry."
She closed the eye again. "Don't be sorry. If I'd wanted to stay in New York I would have stayed in New York. I'm Irish, Frederick, not a houseplant." A pause. "I want to see California."
"You'll see it."
"I know I will."
Herman made a small sound in his sleep. The ship moved steadily north. Outside, the sun touched the horizon and spread itself wide and red across the water, and the Pacific turned the color of hammered copper for ten minutes before the dark came.
The Pacific was not always peaceful. On the fourth day out of Panama, they ran into a squall that lasted eighteen hours and reduced the saloon to a largely empty room. Frederick found that he had his sea legs now, at last, and spent the storm on deck in a borrowed oilskin, partly for the air and partly because watching the waves was better than not watching them. The Sonora was a big ship and she rode the swells without panic, but the ocean in a squall has a way of demonstrating its complete indifference to human enterprise, and Frederick stood at the rail and felt this demonstration with his whole body.
He found Frau Bauer beside him, also in an oilskin, also looking at the waves.
"You should be inside," he said.
"So should you," she said.
They stood together for a while.
"My husband died on the crossing from Germany," she said eventually. "In 1838. I told you I came over in 1838."
"You did."
"He died of fever, in the third week. They buried him at sea. I had never seen anyone buried at sea. They wrap them in canvas and slide them over the rail and that's that." She was quiet for a moment. The ship lurched and she gripped the rail without visible concern. "I always thought the ocean was his now. The Atlantic. I've been afraid of it ever since. But this one —" she looked out at the Pacific — "this one is all right. This one is new."
Frederick looked at the water. He thought about Susanna, about the years in New York. He thought about Herman asleep in the bunk below.
"Yes," he said. "New. That's the right word."
On the seventh day, the coast of California appeared.
Frederick was on deck at dawn, as he had been every morning for the past four days, hoping for first sight, and he nearly missed it because it came from the east, landward, a darkness against the early light that resolved itself gradually — over the course of perhaps twenty minutes — into cliffs. Brown cliffs, enormous, the kind of cliffs that looked as though the continent had been cut with a knife and the cut face revealed. Above them, hills the colour of dried grass. And above the hills, a sky in the process of becoming extraordinary.
He went below and got Martha Matilda and Herman.
Herman came up in his nightshirt, barefoot, blinking, and stood at the rail between them. The cliffs were closer now. The California coast ran ahead of them to the north in a long curve.
"Is that it?" Herman asked.
"That's it," Frederick said.
The boy looked at the coast for a long time. The sun came up behind the hills and lit everything gold. A pelican flew past at rail height, enormous and prehistoric, utterly indifferent to the steamship and all its cargo of human hope.
"It looks like nothing," Herman said, with four-year-old directness.
Frederick laughed. "Wait," he said.
San Francisco Bay, July 1855
They came through the Golden Gate in the afternoon.
Frederick had read about it — had read the descriptions in the newspapers and the emigrant pamphlets and the letters from men who had gone before — and none of it had prepared him for the reality of standing at the bow of the Sonora as the ship moved through the gap between the headlands and the bay opened before him. It was not the biggest body of water he had ever seen. It was not the most dramatic landscape. It was something else: it was the sense of arrival so complete and physical that it hit him in the sternum like a shove.
The bay was enormous and silver in the afternoon light. The city climbed the hills on the southern shore in a dense, improbable jumble of buildings — white and brown and grey, flags flying, smoke rising from a dozen stacks, and everywhere the sound of it, even at this distance: hammering, machinery, the shouts of men working on a hundred different projects simultaneously. A forest of ships' masts clustered along the waterfront. New buildings going up along the ridgelines.
Martha Matilda had her hand on the rail. She was looking at the city with an expression Frederick couldn't entirely read — something between calculation and wonder, as if she were already measuring it for curtains.
Herman was on his shoulders. The boy's hands were on Frederick's head, gripping his hair in a way that was mildly painful but that Frederick did not mention. He could feel Herman's weight leaning forward, toward the city.
"It's big," Herman said.
"It's very big," Frederick agreed.
"Bigger than New York?"
"Different from New York. It will be bigger someday."
Herman was quiet for a moment. The ship moved steadily toward the docks. Around them the other passengers crowded the rail, and there was a sound from the crowd that was not quite cheering and not quite sighing — something in between, involuntary, the sound a hundred people make when they simultaneously understand that something is over and something else is beginning.
"Vater," Herman said.
"Yes."
"Can we stay?"
Frederick looked at the city. He looked at Martha Matilda, who was still studying the shoreline with those measuring eyes. He looked at the bay and the hills and the light on the water.
He thought: I have crossed an ocean and a continent and another ocean. I have sweated through Panama and survived the Pacific and stood at a ship's rail at dawn watching California come out of the dark. I have two trunks and twenty-three dollars and a four-year-old on my shoulders and a woman beside me who came all this way because she chose to.
He put both hands on Herman's ankles to steady him.
"Yes," he said. "We stay."
The Sonora docked at three in the afternoon. The gangway went down and the passengers surged forward and Frederick and Martha Matilda and Herman moved with them, out into the noise and heat and impossible energy of San Francisco, California, in the summer of 1855.
They stood on the dock for a moment, the three of them, with their two trunks at their feet, watching the city pour itself past them in every direction. A wagon loaded with lumber. A man arguing with a mule. Two Chinese workers carrying a beam between them. A woman in a yellow dress reading a newspaper. A dog asleep in the sun, unbothered by everything.
Herman put his hand in Frederick's.
Frederick looked at Martha Matilda. She looked back at him.
"Well," she said.
"Well," he agreed.
And they picked up their trunks and walked into it.
This story is a work of historical fiction. The characters of Frederick Schaffner, Martha Matilda, and Herman Schaffner are based on real people documented in genealogical research by Randall J. Seaver. The known facts of their lives — Frederick's birth in Darmstadt in 1828, his naturalization in San Francisco in November 1856, Martha Matilda's Irish birth and death in 1875, Herman's birth in New York in 1851 — form the skeleton of the story. All dialogue, scenes, supporting characters, and interior thoughts are imagined.
The historical details of the Panama route are accurate: the SS Illinois and SS Sonora were real Pacific Mail and US Mail steamships operating this route in 1855. The Panama Railroad was indeed completed in January 1855 at a terrible human cost, primarily borne by immigrant and enslaved laborers. The crossing of the isthmus by railroad took approximately four to five hours. The fare from New York to San Francisco via Panama in 1855 was approximately $150–$300 in cabin class.
Frederick Schaffner went on to become a saloon proprietor at 315 Lombard Street, San Francisco, and a member of King Solomon Lodge No. 260, Free and Accepted Masons. He died in San Francisco on 29 June 1899. Herman Schaffner, the boy on his shoulders, grew up to be the great-grandfather of Linda (Leland) Seaver.
The AI Google NotebookLM Video Overview of this story is in:
This is historical fiction based on known events in the lives of my ancestors - it might have been this way. The family mentioned is my wife's ancestral family (Frederick Schaffner is her 2nd great-grandfather), and I have significant information about their lives from the available records, but know nothing about their day-to-day lives.
After I read these types of social history summaries, I wish that I could be a time traveler for one day to visit the Schaffner family in New York and San Francisco and witness their daily lives. I'm glad that the general lifestyles and occupations are known from historical records and witness accounts.
Information like this is very helpful to add historical events and social history content to a person's biography.
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